Dan Poppick & Danniel Schoonebeek
Monday, September 24, 2018, 8:00 pm
Tickets
Only The Lonely
All of this came over the wire during the heat-stroke days of that summer, 2008, what we liked to call our summer of sun poisoning, it was the rabid Dog in the sky and Bo Diddley’s cigar-box guitar in the dirt, it was Studs Terkel’s reel-to-reel tape recorder in the dirt, this was the international year of sanitation as decreed by the U.N. Coalition, also the international year of potato vodka, and 54 sentenced to death in the early months for anti-regime propaganda, or we listened to rebels storming the capital those mornings our hands shook too much to write, it was the year of the stock market breaking a bottle of dom pérignon on the dance floor and disemboweling itself with the stub, year of the rat and the star that exploded 7.5 billion years ago appeared above the sugar factory like a blood debt, it was crowds on Knickerbocker watching Castro abandon the throne, or wrenching open a fire hydrant and I was that child who drank from the gutter, it was a tornado outbreak defacing the tobacco fields of the South, it was nobody needing to ask why the gun factory exploded after seventeen were shot in the seminary, it was another assassination attempt in Kabul, death by train for 71 in Shandong, or we watched armed clashes begin on a blurry Panasonic and 2,441 miles away there were 63 killed by bunker busters, 1,860 miles east a cyclone killed 138,000, and another 785 miles north an earthquake claimed 69,000, it was another monarchy abolished, it was Flight 109 catching fire on the tarmac, it was seven stabbed in Akihabara and another ten hospitalized, it was a black chevrolet outfitted with plastic explosives and wheeled up to the gates of the United States embassy, and thus concluding a 12-year manhunt a war criminal was detained on the same day, 22 years prior, that the following person was born on a 92-degree day in July.
•
He’s a young man
stage left
in a tumbledown suit
& he’s sunk to his hips in quicksand.
There’s a passerby
off camera
in a stolen A-line dress
& you can hear her treading the wings
like a tumbleweed.
The scene is simple it’s panic grass
but you can’t see the sheep
(no the grass
it’s too high)
but their bleats
& the bells round their necks
you can hear them.
This is an otherwise unremarkable badland
if not for a klieg light
that flares down from the rafters
upon an otherwise
unremarkable young man
who’s sunk to his hips in quicksand.
It was summer all year that seventh year of war, he begins.
The rivers were boiling.
The wine turning sour.
Everywhere dogs
were scratching their mange off in the streets.
(Throughout we can hear the sheep bleating).
(Throughout we can hear their bells).
I asked if I could shoot your picture
in front of a trash fire
someone had lit beneath the J train on Broadway.
Not on your life, you said.
And it was thus I started a failed novella
in which an old man
such is his loneliness
lights a small fire each day inside his apartment
solely to tell his story
to the people who come to extinguish it.
Summer of neverending briquettes
& fireworks
with names like
The Great Pretender
Black Snake
Grounds for Divorce.
Summer you said, “I think god loves us most
when god ghosts us.”
“When god negs us where we sleep.”
It was thus I started a failed novella
in which all of Brooklyn
after the firestorm
that ends the United States
departs for heaven together
only to find heaven’s empty—
the Boneshaker’s missing
& heaven’s just this void of sunflower seeds
& burlap sacks
& tools strewn willy-nilly about
the escarpments.
It ends on this leitmotif
of everyone working together to build a new world
only the new world resembles the old world to a T.
In the corner in this scene taking a break
from their hammering
a father and son sit hand-in-hand
spitting sunflower seeds
through a hole in the floor of heaven.
This is when you approach me to say
pointing at the family
“you and me, we will never love that ruthlessly.”
And this is also when you hear the foreman
from atop one of heaven’s gravel pits
start to play “What a Wonderful World” on his trumpet.
•
At this time the young man’s head
sinks below the quicksand
& sunflower seeds start to fall from the rafters.
Enter the passerby
stage right
in stolen A-line dress.
(Throughout we can hear the sheep bleating).
Stage direction indicates nothing
save that she
1) moves like a tumbleweed
2) passes by the patch of quicksand unaware
3) only speaks the following line.
So goes the legend, she says.
(Throughout we can hear their bells).
This piece was originally published in Bennington Review