I need to get wasted tonight and destroy things
everyone knows I shouldn’t be
getting high with you
going out for drinks
talking until I lose myself
then someone interrupts
to say, what are you doing?
I thought of a line for a poem
while we were in the shower
but couldn’t say it
and now I don’t remember
you take showers together?
seems to be the only takeaway
but what about that line
I can’t remember
who I was
and you can’t seem
to make sense of it either
how powerful and powerless
I am all at once
I didn’t want to share the line
even with myself
I’ll save being brilliant
for later, right now
a voice whispers in my ear
you’ll be where I’m going
so everyone thinks they can read me
they’ve always been able to
I’ve always come home late
puked into my pillow
swallowed the evening whole
I wanted to make sure
I was really living
and will you be where I’m going?
I do want to know
how far across any room
we might lock eyes
stoned and ready
I guess
the poetry is more alive
than I am
I want to go home again
I imagine such a place
formed into a dialogue
that I can destroy
and I wonder if
I’ll be awake for it
the destruction
I imagine us swimming
beside a boat
in the dark
there is a photograph of me
swimming in the dark with someone
nobody can say who that person is
though we all remember that night
I had sex with one person in a gazebo
then found myself in a room with another
he was confessing something and kissing gently
mostly I was present
how to say I’ve already had my fill tonight
without any words
if there were such a thing as being full
I’ll take you home with me too
throw you in my truck, save you for later
but who was that person in the night water
swimming next to me
in the photograph we look like
we know each other well
— but enough of that,
what does it matter?
desire and pleasure mix
we all know
there is a moment in
David Wojnarowicz’s tape journals
where he is in his car
driving listening to a song
speaking to his tape recorder
and he gets so sad
thinking about
the people who have died
and how they will never
get to hear this particular song
not even a song he likes very much
I see all of new york
that way today:
the subway,
the panhandlers battling
over who can ask first,
the homeless men at my feet
I see them and I miss them
as a pre-emptive gesture
I miss you already
where am I going?
when there is no future
we imagine them saying
the problem is not
that we are fiends
the problem is
that there is a country at all
and will I kiss you today
give you some change
write a love poem
that actually takes place
in my body
a song that makes
everyone imagine it playing
without any listeners
in a deep internal future
when there’s nobody left
Note on the Poem:
[The lines : “I’ll take you home with me too / throw you in my truck, save you for later” are a reference to the poet Diane Burns, whose work that I have encountered evokes for me a kind of confidence mixed with sadness that I find very unique. My poem was written after reading Diane Burns and Alice Notley in the 1981 Feminist Reading Group at the Poetry Project. Our group discussion coincided with the Christine Blasey Ford and Brett Kavanaugh hearings, which directed the group’s attention more acutely towards alcohol, ideas of truth and witnessing, memory and sexuality. There was a defeated, angry and sad quality to us all already, and I felt that the hearings made coming together to talk about poetry and check in with each other feel even more necessary.]