Lindsey Boldt is the author of <(( ))> (2016), Titties for Lindsey (2013), and Overboard (2012). Poems, essays, and other writings can be found at Art Practical, The Drunken Boat, and in the forthcoming ON Contemporary Poetics: New Narrative Feature. She also writes and performs plays, songs and other outbursts, including audio commentary for the 1993 movie “The Pelican Brief” (forthcoming from Troll Thread). She has been an editor for The Post-Apollo Press, the chapbook series, Summer BF Press, and is currently Managing Editor of Nightboat Books. She lives in Oakland.
erica kaufman is the author of POST CLASSIC (Roof Books, 2019), INSTANT CLASSIC (Roof Books, 2013) and censory impulse (Factory School, 2009). she is also the co-editor of NO GENDER: Reflections on the Life and Work of kari edwards (Venn Diagram, 2009), and of Adrienne Rich: Teaching at CUNY, 1968-1974 (Lost & Found: The CUNY Poetics Document Initiative, 2014). prose and critical work can be found in: The Color of Vowels: New York School Collaborations (ed. Mark Silverberg, Palgrave MacMillan, 2013), The Supposium: Thought Experiments and Poethical Play in Difficult Times (ed. Joan Retallack, Litmus Press, 2018), Approaches to Teaching the Works of Gertrude Stein (eds. L’ Esdale and D. Mix, MLA, 2018), and Reading Experimental Writing (ed. G. Colby, Edinburgh University Press). recent poems can be found in A Perfect Vacuum and P-Queue. kaufman is the Director of the Bard College Institute for Writing & Thinking and Visiting Assistant Professor of Humanities.