Lawrence Abu Hamdan is an artist and audio investigator currently living in Berlin as guest of DAAD. Abu Hamdan’s interest with sound and its intersection with politics originate from his background as a touring musician and facilitator of DIY music. The artists audio investigations has been used as evidence at the UK Asylum and Immigration Tribunal and as advocacy for organisations such as Amnesty International and Defence for Children International. The artist’s forensic audio investigations are conducted as part of his research for Forensic Architecture at Goldsmiths College London where he received his PhD in 2017. Abu Hamdan’s Rubber Coated Steel 2016 won the short film award at the Rotterdam International Film festival 2017 and his exhibition Earshot at Portikus Frankfurt (2016) was the recipient of the 2016 Nam June Paik Award. Other solo exhibitions include Hammer Museum L.A (2018), Kunsthalle St Gallen (2015), Beirut in Cairo (2013), The Showroom, London (2012), Casco, Utrecht (2012). Abu Hamdan is the author of the artist book [inaudible] : A politics of listening in 4 acts and a forthcoming ebook produced as part of his 2015-17 fellowship at the Vera List Centre for Art and Politics at the New School in New York. His works are part of collections at MoMA New York, Guggenheim New York, Van AbbeMuseum Eindhoven, Centre Pompidou Paris, Tate Modern.