Camonghne Felix, M.A. is a poet, political strategist, media junkie and cultural worker. She received an M.A. in Arts Politics from NYU, an MFA from Bard College, and has received Fellowships from Cave Canem, Callaloo and Poets House. The 2012 Pushcart Prize nominee is the author of the chapbook Yolk, and was recently listed by Black Youth Project as a “Black Girl From the Future You Should Know.” Her first full-length collection of poems, Build Yourself a Boat, was a 2017 University of Wisconsin Press Brittingham & Pollak Prize finalist, a 2017 Fordham University Poets Out Loud semi-finalist, and is forthcoming from Haymarket Books in 2019.
Lewis Warsh is the author of four novels—Agnes & Sally (1984); A Free Man (1991, 2019); Ted’s Favorite Skirt (2002); and A Place in the Sun (2010)—and a book of collected stories, One Foot Out the Door (2014). His numerous collections of poetry include, among others, The Origin of The World (2001), Inseparable (2008), Alien Abduction (2015) and Out of the Question: Selected Poems 1963-2003 (2017). He is co-founder, with Bernadette Mayer, of United Artists Magazine and Books, and co-editor, with Anne Waldman, of The Angel Hair Anthology (2001). Mimeo Mimeo #7 (2012) was devoted to his poetry, fiction and collages, and to a bibliography of his work as a publisher and editor. He is recipient of grants from the National Endowment for the Arts, The Fund for Poetry, The New York State Council of the Arts, The American Poetry Review, and The Poet’s Foundation. He has taught at Naropa University, The Poetry Project, Bowery Poetry, and SUNY Albany and currently teaches at Long Island University (Brooklyn), where he was founding director of the MFA Program in Creative Writing (2007-13).
Kate Zambreno is the author of a few books, most recently Book of Mutter (Semiotext(e)’s Native Agents). She is at work on a series about time, memory, and the persistence of art, including Drifts, forthcoming from Harper Perennial, and To Write As If Already Dead, a book on Hervé Guibert’s To the Friend Who Did Not Save My Life for the ReReadings series for Columbia University Press. She teaches at Columbia University and Sarah Lawrence College.
Quinn Latimer is a poet, art critic, and editor from California whose work often explores feminist economies of writing, reading, and image production. Her books include Like a Woman: Essays, Readings, Poems (Sternberg Press, 2017); Stories, Myths, Ironies, and Other Songs: Conceived, Directed, Edited, and Produced by M. Auder, coedited with Adam Szymczyk (Sternberg Press, 2014); Sarah Lucas: Describe This Distance (Mousse Publishing, 2013); Film as a Form of Writing: Quinn Latimer Talks to Akram Zaatari (WIELS/Motto Books, 2013); and Rumored Animals (Dream Horse Press, 2012). Her writings and readings have been featured in exhibitions at REDCAT, Los Angeles; Serpentine Galleries, London; CRAC Alsace, Altkirch, France; the German Pavilion of the Venice Architecture Biennale, Italy; and will appear in the Sharjah Biennial 13, Part 2, in Beirut in October 2017. She is editor-in-chief of publications for documenta 14 in Athens and Kassel.
If there is such an entity as the New York School, Tony Towle has been involved in it since 1963, when he took poetry workshops at the New School with Frank O’Hara and Kenneth Koch. Noir Poems 2008-2017 is his 13th book of poems, and will be available at the reading.
Emily Skillings is the author of the poetry collection Fort Not (The Song Cave, 2017), as well as two chapbooks, Backchannel (Poor Claudia) and Linnaeus: The 26 Sexual Practices of Plants (No, Dear/ Small Anchor Press). Recent poems can be found/are forthcoming in Poetry, Harper’s,Boston Review, Brooklyn Rail, BOMB, Hyperallergic, LitHub, and jubilat. She is a member of the Belladonna* Collaborative, a feminist poetry collective, small press, and event series. Skillings received her MFA from Columbia University, where she was a Creative Writing Teaching Fellow in 2017. She splits her time between Brooklyn and Hudson, NY.
E. Tracy Grinnell is the author of four books of poetry: Hell Figures, portrait of a lesser subject, Some Clear Souvenir, and music or forgetting. “Helen, A Fugue” was published in the first volume of the Belladonna* Elders Series in conversation with A Pear / Actions are Erased by Leslie Scalapino. Limited edition chapbooks include Mirrorly, A Window, Leukadia, Hell and Lower Evil, Humoresque, Quadriga, a collaboration with Paul Foster Johnson, and harmonics. Grinnell’s poetry has been translated into French, Serbian, and Portuguese. She currently teaches in the MFA Writing Program at Pratt Institute and lives in Brooklyn, NY. She is the founding editor and director of Litmus Press.
Mónica de la Torre is the author of six books of poetry, including The Happy End/All Welcome (Ugly Duckling Presse). Born and raised in Mexico City, she translates poetry, writes about art, and is a contributing editor to BOMB Magazine. Recent publications include Triple Canopy, Harper’s, Poetry, Erizo, and huun: arte / pensamiento desde México. She teaches in the Literary Arts program at Brown University. From Sept. 27 through Oct. 1 she will be a poet in residence in Josiah McElheny’s outdoor public art project Prismatic Park in Madison Square Park.
Candace Williams is a black queer nerd living a double life. By day, she’s a sixth grade humanities educator and robotics coach. By night and subway ride, she’s a poet. futureblack, her first full-length manuscript, is a finalist of the 2018 National Poetry Series open competition. In 2018, she released Spells for Black Wizards (The Atlas Review), a winner of the 2017 TAR Chapbook Series. Her work has appeared in the PEN Poetry Series, Tin House Online, Hyperallergic, and Nepantla: An Anthology for Queer Poets of Color (Nightboat Books), among other places. She earned her master’s in education from Stanford University and has received support from Cave Canem, Brooklyn Poets, and the Fine Arts Work Center. Her essays, interviews, and reviews can be found in Electric Literature, VIDA Review, the Fanzine, and Shondaland.
Emma Hedditch (b.1972, U.K) is an artist and writer living in New York. Emma has published texts in Afterall, Mute Magazine, and Art Monthly, and contributed to the books Rereading Appropriation (If I Can’t Dance, 2015) and Anarchic Sexual Desires of Plain Unmarried Schoolteachers (Selected Press, 2015). Emma’s self-published work includes A Political Feeling, I Hope So, Coming to Have a Public Life, Is it Worth it? and the e-book of performance scripts, I Don’t Want you to Work as Me, I Want you to Work for Me. Emma has worked at Cinenova, a feminist film and video distributor (1999–present), The Copenhagen Free University (2001–2008), and No Total, a site for performance (2012–present). She has participated in recent exhibitions including Finesse, curated by Leah Pires at the Wallach Art Gallery in New York, Claim a hand in the field that makes this form foam at Outpost Gallery in Norwich, U.K and Other Romances, curated by Em Rooney at Rachel Uffner in New York.
André Alexis was born in Trinidad and grew up in Canada. He is the recipient of a 2017 Windham-Campbell Prize. His novel, Fifteen Dogs, won the 2015 Scotiabank Giller Prize, the Rogers Writers’ Trust Fiction Prize, and in 2017 won Canada Reads. His debut novel, Childhood, won the Books in Canada First Novel Award, the Trillium Book Award, and was shortlisted for the Giller Prize and the Writers’ Trust Fiction Prize. His other books include The Hidden Keys (nominated for the Trillium Book Award), Pastoral (nominated for the Rogers Writers’ Trust Fiction Prize), Asylum, Beauty and Sadness, Ingrid & the Wolf, Despair and Other Stories of Ottawa, and Lambton, Kent and Other Vistas: A Play.
Eugene Lim is the author of the novels Fog & Car (Ellipsis Press, 2008), The Strangers (Black Square Editions, 2013) and Dear Cyborgs (FSG, 2017). He works as a high school librarian, runs Ellipsis Press, and lives in Queens, NY.
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