Sophia Hussain
Sophia Hussain organizes readings at the Asian American Writers’ Workshop and is a proud member of the AAWW Union with UAW Local 2110. She is a livestream phantom, a lapsed content creator and a writer.
Sophia Hussain organizes readings at the Asian American Writers’ Workshop and is a proud member of the AAWW Union with UAW Local 2110. She is a livestream phantom, a lapsed content creator and a writer.
Joseph O. Legaspi is the author of the poetry collections Threshold and Imago, both from CavanKerry Press; and three chapbooks: Postcards (Ghost Bird Press), Aviary, Bestiary (Organic Weapon Arts), and Subways (Thrush Press). Recent works have appeared in POETRY, New England Review, World Literature Today, Best of the Net, and the Academy of American Poets’ Poem-a-Day. He cofounded Kundiman (www.kundiman.org), a national nonprofit organization dedicated to nurturing generations of writers and readers of Asian American literature.
Timothy DuWhite is a writer, poet, playwright, performance artist, and activist. His work is both brave and exhilarating, and directly addresses difficult and controversial issues such as HIV, state sanctioned violence, racism, and queerness.
He has performed at the United Nations/UNICEF, Apollo Theater, Nuyorican Poet’s Cafe, Bowery Poetry Club, Dixon Place, La Mama Theater, Issue Project Room, on the behalf of Adidas and many more. He has delivered keynote speeches and appeared at institutions such as San Diego State University, Indiana University, Columbia University, Oregon State University, John Hopkins University and many more.
His writing and poetry can be found in The Rumpus, The Root, Afropunk, Black Youth Project, The Grio, and elsewhere. He has work in the forthcoming anthology The Future is Black: Afropessimism, Fugitivity and Radical Hope in Education co-edited by Michael Dumas, Ashley Woodson and Carl Grant.
A committed educator, he has facilitated workshops at New York City’s legendary Urban Word, the Queer Detainee Empowerment Project, Housing Works, and Rikers Island. A finalist for Poet’s House Emerging Poets Fellowship, he is currently at work on a one man play at Dixon Place, where he is artist-in residence.
A great deal of Timothy’s work and activism is around HIV/AIDS and related issues. In 2015, he developed a writing workshop entitled “HIV & the State: Coalition Building beyond the Condom,” in which he debunks popular narratives surrounding HIV as it relates to black people. Timothy has taught this workshop at major institutions across the country.
Currently the Program Director at New York Writers Coalition, Timothy lives in Brooklyn, NY.
Julia Rider Alsop is an award-winning journalist, sound designer and poet. She’s in love with a mountain.
Dave Morse is a poet, musician, and bookseller living in Brooklyn, NY. He has published one full-length collection and a handful of chapbooks. In the near future, he has poems forthcoming in the Brooklyn Rail, and is currently at work on a second book considering masculinity, illness, and ability. His other projects include being half of the Bushwick used bookstore Book Row, half of the poetry imprint IMP, and playing guitar in punk bands Nandas and Terrorist.
Jonathan Aprea is a writer living in New York. His chapbook Dyson Poems was published by Monster House Press in 2018. You can find him on the web at jonathanaprea.com.
Andriniki Mattis is a non-binary poet, who has received fellowships from Cave Canem & Poets House. They earned an M.A in Creative Writing and Education, from Goldsmiths University of London, and a B.A in Political and Poetic Resistance, from Brooklyn College. Their work has appeared in Nepantla, Cortland Review, Paperbag Journal, Pariah’s Anthology, Typo Mag, THEM journal, and elsewhere. Andriniki is from and currently living in Brooklyn, their updates can be found at andriniki.com.
Kay Gabriel is a poet and essayist. She’s the author of Elegy Department Spring / Candy Sonnets 1 (BOAAT Press, 2017), the recipient of fellowships from the Poetry Project and Lambda Literary, and recently completed her PhD in Classics. With Andrea Abi-Karam she’s co-editing an anthology of radical trans poetics, forthcoming fall 2020 from Nightboat Books.
Francisco Márquez is originally from Venezuela. He received his MFA in poetry from New York University, where he was a Goldwater Fellow. The recipient of grants from the Saltonstall Foundation for the Arts, Bread Loaf Writer’s Conference, and Letras Latinas, his poems have been published in Bennington Review, Narrative, and The Offing, among other publications. He works at the Academy of American Poets and lives in Brooklyn, New York.
Edgar Oliver is a writer and performer who has lived and worked in New York for many years. He started out reading his poems and performing monologues at the Pyramid night club in the early 1980’s. From 1988 to 2001 he wrote and staged a series of autobiographical plays – premiering a new play almost every year in the Club at LaMama on east 4th Street. Titles include The Seven Year Vacation, The Ghost of Brooklyn, Mosquito Succulence, Motel Blue 19, and The Drowning Pages. In recent years he has written and performed a series of one man shows that have won much critical acclaim. These shows include Helen and Edgar – directed by Catharine Burns of The Moth – and East 10th Street: self-portrait with empty house, In the Park, and Attorney Street – all three directed by Randy Sharp of the Axis Theatre Company.
Raja Feather Kelly’s choreography includes: I, I Am A Dancer (Ars Nova ANT Fest), UGLY (The Bushwick Starr), ANOTHER FUCKING WARHOL PRODUCTION (The Kitchen, American Dance Festival, nominated Most Innovative Dance Performance of 2017 by Dance Magazine), ANDY WARHOL’S BLEU MOVIE (BAM Fisher, Baryshnikov Arts Center), ANDY WARHOL’S TROPICO (Danspace Project), ANDY WARHOL’S DRELLA, (I Love You Faye Driscoll) (The Invisible Dog), and ANDY WARHOL’S 15: COLOR ME, WARHOL (Dixon Place).
Off-Broadway credits include choreography for A Strange Loop directed by Michael R. Jackson (Playwright Horizons), Branden Jacobs-Jenkins’ EVERYBODY directed by Lila Neugebauer (Signature Theatre); Susan-Lori Parks’ THE DEATH OF THE LAST BLACK MAN IN THE WHOLE ENTIRE WORLD directed by Lileana Blain-Cruz (Signature Theatre, received a 2017 Lucille Lortel Award for Best Revival); Adrienne Kennedy’s Funnyhouse of a Negro, directed by Lila Neugebauer (Signature Theatre); Daaimah Mubashshir’s EVERYDAY AFROPLAY (JACK); Jim Findlay’s ELECTRIC LUCIFER (The Kitchen); Jackie Sibbles-Drury’s FAIRVIEW, directed by Sarah Benson (Soho Rep) and LEMPICKA, directed by Rachel Chavkin (Williamstown Theatre Festival). Raja was born in Fort Hood, Texas, and is the first and only choreographer to dedicate his company’s work to Andy Warhol and the development of popular culture over the last thirty years.
A 2017 and 2018 Princess Grace Award winner in Choreography and a Director for Soho Rep’s 2018/19 Writers and Directors Lab, his honors include a 2018-2020 HERE Arts Fellowship, 2018/19 CartHorse Fellowship at the Buran Theatre, a 2018 Alan Kreigsman Residency at Dance Place (Washington, D.C.), and 2018-19 Fellowship at the Center for Ballet and the Arts at NYU, He is a Connecticut College alumnus and holds Bachelor’s Degrees in English and Dance.