Khadijah Queen is the author of five books, most recently I’m So Fine: A List of Famous Men & What I Had On (YesYes Books 2017). Her verse play Non-Sequitur (Litmus Press) won the Leslie Scalapino Award for Innovative Women’s Performance Writing, which included a full staged production at Theaterlab NYC in 2015. Individual poems and prose appear in Fence, Poetry, Tin House, American Poetry Review, Buzzfeed, Powder: Writing by Women in the Ranks from Vietnam to Iraq and widely elsewhere. She is an Assistant Professor of creative writing at University of Colorado, Boulder.
Danniel Schoonebeek is the author of American Barricade (YesYes Books, 2014) and Trébuchet, a 2015 National Poetry Series selection published by University of Georgia Press in 2016. A recipient of a 2015 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from Poetry Foundation, recent work appears in The New Yorker, Poetry, Kenyon Review, and elsewhere.
Daniel Poppick‘s writing appears in BOMB, The New Republic, The PEN Poetry Series, Granta, Fanzine, Bennington Review, and on Poetry Now. He is the author of The Police (Omnidawn, 2017) and the chapbook Vox Squad (Petri Press, 2012). He lives in Brooklyn, where he works as a copywriter and edits the Catenary Press with Rob Schlegel and Rawaan Alkhatib.
Sarah Wang is a writer in New York. She has written for BOMB, n+1, The Los Angeles Review of Books, Joyland, Catapult, Biennale de l’Image en Mouvement at the Centre d’Art Contemporain Genève, Conjunctions, Stonecutter Journal, semiotext(e)’s Animal Shelter, The Shanghai Literary Review, Performa Magazine, Musée d’Art Contemporain de Lyon, and The Last Newspaper at the New Museum, among other publications. She is the winner of a Nelson Algren runner-up prize for fiction and is currently a fellow at the Center for Fiction and the Asian American Writers’ Workshop’s Witness Program, which bridges conversations about mass incarceration and migrant detention. See more of her writing at wangsarah.com.
Nuar Alsadir is a poet, essayist and psychoanalyst. She is the author of the poetry collections Fourth Person Singular (2017), a finalist for the 2017 National Book Critics Circle Award for Poetry and shortlisted for the 2017 Forward Prize for Best Collection in England and Ireland; and More Shadow Than Bird (Salt Publishing, 2012). Her poems and essays have appeared in numerous publications, including Granta, The New York Times Magazine, BOMB, Slate, Grand Street, The Kenyon Review, Ploughshares, Poetry London and The Poetry Review. She is a fellow at The New York Institute for the Humanities and works as a psychotherapist and psychoanalyst in private practice in New York.
Raquel Salas Rivera is the 2018-19 Poet Laureate of Philadelphia and a CantoMundo Fellow. Their work has appeared in journals such as the Revista del Instituto de Cultura Puertorriqueña, Apogee, McSweeney’s, and the Boston Review. They are the author of Caneca de anhelos turbios (Editora Educación Emergente), oropel/tinsel (Lark Books), tierra intermitente (Ediciones Alayubia), and lo terciario/the tertiary (Timeless, Infinite Light). Currently, they are Co-editor of Puerto Rico en mi corazón, a collection of bilingual broadsides of contemporary Puerto Rican poets.
Jennifer Bartlett is the author of four books of poetry and co-editor of Beauty is a Verb: The New Poetry of Disability. She has been researching and writing a biography on Larry Eigner for the past seven years.
Allyson Paty’s poems can be found in Boston Review, The Brooklyn Rail, jubilat, Kenyon Review Online, The Literary Review, Tin House, the PEN Poetry Series, and elsewhere. She is a 2017 NYSCA/NYFA Artist Fellow in Poetry and a 2017-2018 participant in the Lower Manhattan Cultural Council’s Workspace program. With Norah Maki, she is co-founding editor of Singing Saw Press.
infanteJP currently teaches high school in Manhattan. He has taught creative writing at Lehman College of the City University of New York. He’s earned an MFA in fiction from the New School for General Studies. He’s worked as tutor and director at an after-school program, lotions and perfume factory, Starbucks, Barnes & Noble, pharmacy- delivery-boy, selling door to door Kirby home cleaning systems AKA overpriced vacuum cleaners, and sold academic essays to undergrads.
Douglas A. Martin is the author of most recently of a lyric study, Acker (Nightboat Books). Other titles span poetry and prose and include: Once You Go Back, Your Body Figured, In The Time of Assignments, Branwell, and They Change the Subject. Douglas’s first novel, Outline of My Lover, was selected as an International Book of the Year in The Times Literary Supplement and adapted in part by the Forsythe Company for their multimedia ballet and live film, “Kammer/Kammer.” A Professor and Assistant Director of Creative Writing at Wesleyan University, Douglas also teaches in the low residency MFA program at Goddard College and divides time between Brooklyn and upstate New York.
This is an older, archived version of The Poetry Project site. Information may have changed.
