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Joey Yearous-Algozin
Joey Yearous-Algozin is the author of Holly Melgard’s Friends and Family (Bon Aire Projects) and The Lazarus Project(TROLL THREAD), among others. He is a co-editor of TROLL THREAD. He lives in Brooklyn, NY.
Joey Yearous-Algozin is the author of Holly Melgard’s Friends and Family (Bon Aire Projects) and The Lazarus Project(TROLL THREAD), among others. He is a co-editor of TROLL THREAD. He lives in Brooklyn, NY.
Fanny Howe has written numerous books of fiction, essays and poetry and has won a Guggenheim Fellowship, a Lenore Marshall Award and the Ruth Lilly Lifetime Achievement Award, among others. Her most recent collection of poetry Second Childhood was published by Graywolf Press. She is currently a Visiting Writer at Brown University.
Benjamin Hollander was born in Haifa, Israel and as a boy immigrated to New York City. He presently lives on the west coast of North America. His books include: In the House Un-American (Clockroot Books/Interlink Publishing, Spring 2013); Memoir American (Punctum Books, Spring 2013); Vigilance (Beyond Baroque Books, 2005); Rituals of Truce and the Other Israeli (Parrhesia Press, 2004); The Book of Who Are Was (Sun & Moon Press, 1997); How to Read, Too (Leech Books, 1992); and, as editor, Translating Tradition: Paul Celan in France (ACTS, 1988). Of his newest book, In The House Un-American, the poet David Shapiro says: “It is difficult to speak of Benjamin Hollander’s masterpiece, so America, so like an inner emigration, as if we had all changed names….A book of this order comes very rarely to our consciousness; we are so censorious of new genres….[T]his book exists as music barely heard in the air becomes music of our ground, grain.”
Joyelle McSweeney is the author of eight books in multiple genres, most recently the verse play Dead Youth, or, the Leaks, a hacked carcinogenic farce which was selected to inaugurate the Leslie Scalapino Award for Innovative Women Playwrights, as well as The Necropastoral: Poetry, Media, Occults, which reads together authors as diverse as Jack Smith, Wilfred Owen, Aime Cesaire and Kim Hyesoon. With Johannes Goransson, Joyelle edits the international press Action Books and teaches at the University of Notre Dame.
Sally Wen Mao is the author of Mad Honey Symposium (Alice James Books, 2014), the winner of the 2012 Kinereth Gensler Award and a Publishers Weekly Top Ten Pick of Fall 2014. Her work has been anthologized in The Best American Poetry 2013 and is forthcoming or published in Black Warrior Review, Guernica, Gulf Coast, Indiana Review, Mid-American Review,and Third Coast, among others. A Kundiman fellow, she holds a B.A. from Carnegie Mellon University and an M.F.A. from Cornell University, where she was a lecturer in creative writing and composition for three years. She currently lives in Brooklyn, NY and teaches in the Asian American Studies department at Hunter College.
Bruce Andrews is an experimental poet, performance artist, literary theorist & recently retired (after 38 years) left-wing professor of political science. As Musical Director for Sally Silvers & Dancers, he has created sound designs and, in performance, live mixes of music & text for over two decades of performances.Most recent of a dozen or so big books is last year’s You Can’t Have Everything… Where Would You Put It!, followed by a chapbook, Yessified (Sally’s Edit) celebrating the Andrews Symposium and its expanded archive, online at www.fordhamenglish.com/bruce-andrews, with links to interviews, performance texts, poetry, collaborations, and critical essays on his work. Another online archive (and interactive project) materialized on April 1, 2014 as a curated 25 hour ‘twitter sculpture’ [Twitter.com @BruceAndrews25h], a 300 poem sequence.
Robin Coste Lewis is a Provost’s Fellow in Poetry and Visual Studies at the University of Southern California. She is also a Cave Canem fellow and a fellow of the Los Angeles Institute of the Humanities. She received her MFA from NYU in poetry, and an MTS in Sanskrit and comparative religious literature from the Divinity School at Harvard University. A finalist for the International War Poetry Prize, the National Rita Dove Prize, and the Discovery Prize, her work has appeared in various journals and anthologies, including The Massachusetts Review, Callaloo, The Harvard Gay & Lesbian Review, Transition, VIDA, Phantom Limb, and Lambda, amongst others. She has taught at Wheaton College, Hunter College, Hampshire College and the NYU Low-Residency MFA in Paris. Fellowships and awards include the Caldera Foundation, the Ragdale Foundation, the Headlands Center for the Arts, and the Summer Literary Seminars in Kenya. Her collection Voyage of the Sable Venus is forthcoming from Knopf. Born in Compton, California, her family is from New Orleans.
Jen Hofer is a Los Angeles-based poet, translator, social justice interpreter, teacher, knitter, book-maker, public letter-writer, urban cyclist, and co-founder (with John Pluecker) of the language justice and language experimentation collaborative Antena. She publishes poems and translations with numerous small presses, including Action Books, Atelos, belladonna, Counterpath Press, Kenning Editions, Insert Press, Les Figues Press, Litmus Press, LRL Textile Editions, New Lights Press, Palm Press, Subpress, Ugly Duckling Presse, and in various DIY/DIT incarnations.
Caitie Moore‘s writing engages her white femme subject position and can be found online at Harriet, BOMB, Queen Mobs, in her chapbook Wife (Argos Books, 2014), The Racial Imaginary: Writers on Race and the Life of the Mind (Fence Books, 2015) and various scattered publications. A collaboration with Dot Devota, Dept. of Posthumous Letters, was released in November 2017 (Argos Books).
Jackqueline Frost is the author of The Antidote (Compline Editions), You Have the Eyes of a Martyr (O’clock Press), and Young Americans (Solar Luxuriance). She lives in Ithaca, New York.
Lara Lorenzo is a poet and human services worker based in Brooklyn. Her writing has appeared in Nepantla, Toe Good Poetry, October, and Third Text, among other places. Follow her on Instagram @maketotaldestroyyou.
Katherine Brewer Ball is a writer, scholar and curator who was born under an aries sun and libra moon. She is completing her first book on the aesthetic and political promise of escape in the writings of queers and people of color, The Only Way Out is In: The Queer & Minoritarian Performance of Escape. As Visiting Assistant Professor of Performance Studies in the Theater Department at Wesleyan University, where she previously held a Mellon Postdoctoral Fellowship at The Center for the Humanities, she teaches courses on Queer Performance Strategies and Latina and Black Feminist Thought. Brewer Ball earned her PhD in Performance Studies at New York University’s Tisch School of the Arts. Currently, she co-curates the reading series Adult Contemporary with Svetlana Kitto. Her published work can be read in Women & Performance; a journal of feminist theory, Media-N, Bomblog, Recaps Magazine and Criticism.